Gratitude

There is something all newcomer photographers tend to do: they either dream of camera gear or buy a lot of it. When I started in photography, I went through the same thing. I thought that I needed all the lenses that my idols used. I believed I needed the biggest megapixel camera with all the film features, just in case a potential client wanted video. But over time, with age came wisdom.

The amateur compensates with many items, whereas the master relies on just a few. One camera, one lens, one light, focusing on the moment and capturing what matters instead of obsessing over the gear, giving attention to the photograph being framed.

I wish I could put you in my shoes and provide you with a different perspective that would save you a lot of time and money on items you think you need. Indulge me if you will. I had a thought while walking home yesterday, and I wanted to ask you this simple question.

Would you rather have everything and only get to use each thing once, or have one thing and use it always?

It's a relatively simple question, but how you answer it speaks about the photographer you are. One choice implies that you would get excited about the newest whatever and buy it for inspiration or what you think you currently need to stay ahead of the competition. The other choice demonstrates that you would focus on one thing, putting all your energy into learning it inside and out.

These articles about Camera A vs. Camera B are really pushing it. When you take a step back, the only differences, compared as a whole, are around 10% at best. Going up an extra two stops in ISO, being able to capture at 60fps instead of 25fps. Do you really think that the extra stop or dynamic range will make you 10% better as a photographer?

There will be a point, and we are nearly there, where technology becomes so obtainable that everyone will have access to the best systems at a very affordable price. The only way you will stand out when that time comes isn't because you purchased what everyone else has or will get. What will make you different and ahead of the pack is that you chose to master your craft. You focused on learning the light, angles, composition, your lenses, and one camera system you know inside and out.

I was listening to a TED talk about limitations and struggle and how they force creativity. Struggling and being uncomfortable make your neurons fire and connect in such a way that you solve problems unconventionally. To put it simply, limitations make you think outside the box; that's where new ideas are formed and potential is reached. Think of it this way: sticking with your current camera setup over time can be considered a limitation. Or thinking of it in a positive light, staying with your current camera system will push your creativity into new realms.

So the next time the newest camera model comes out, instead of researching specs and X vs. Y articles, maybe pick up your camera and practice gratitude for what you already have—a camera that can already do the most important feature: take photographs.

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  2. How to shoot minimalist photos - PetaPixel.com

  3. Internet addition is killing your photography - DigitalRev.com

  4. Have I finally found the perfect camera? - DIYPhotography.net

  5. Are you a photographer or, just a camera operator - PetaPixel.com

  6. Why I got rid of my photography gear - PetaPixel.com

  7. Finding style and voice in photography Leica.com

  8. Use deliberate practice to find your photographic style - PetaPixel.com

  9. Why I only use one lens - PetaPixel.com

Education

  1. Camera fundamentals

  2. 10 ways to develop your photographic style

  3. Deliberate style

  4. The number one challenge

  5. Deliberate practice

  6. Foster your passion

Philosophy

  1. Find your Zen camera

  2. Tame your ego to find meaning in your photography

  3. God complex

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